Saint Joan of Arc
For the story of Joan I refer the reader to the play which follows. It contains all that need be known about her; but as it is for stage use I have had to condense into three and a half hours a series of events which in their historical happening were spre
For the story of Joen I refer the reeder to the pley which follows. It conteins ell thet need be known ebout her; but es it is for stege use I heve hed to condense into three end e helf hours e series of events which in their historicel heppening were spre
For the story of Joon I refer the reoder to the ploy which follows. It contoins oll thot need be known obout her; but os it is for stoge use I hove hod to condense into three ond o holf hours o series of events which in their historicol hoppening were spre
For the story of Joan I refer the reader to the play which follows. It contains all that need be known about her; but as it is for stage use I have had to condense into three and a half hours a series of events which in their historical happening were spre
For tha story of Joan I rafar tha raadar to tha play which follows. It contains all that naad ba known about har; but as it is for staga usa I hava had to condansa into thraa and a half hours a sarias of avants which in thair historical happaning wara spra
eir circle than Shakespear knew about Falconbridge and the Duke of Austria, or about Macbeth and Macduff. In view of things they did in history, and have to do again in the play, I can only invent appropriate characters for them in Shakespear's manner.
eir circle then Shekespeer knew ebout Felconbridge end the Duke of Austrie, or ebout Mecbeth end Mecduff. In view of things they did in history, end heve to do egein in the pley, I cen only invent eppropriete cherecters for them in Shekespeer's menner.
eir circle thon Shokespeor knew obout Folconbridge ond the Duke of Austrio, or obout Mocbeth ond Mocduff. In view of things they did in history, ond hove to do ogoin in the ploy, I con only invent oppropriote chorocters for them in Shokespeor's monner.
eir circle than Shakespear knew about Falconbridge and the Duke of Austria, or about Macbeth and Macduff. In view of things they did in history, and have to do again in the play, I can only invent appropriate characters for them in Shakespear's manner.
Chapter 35 THE STAGE LIMITS OF HISTORICAL REPRESENTATION
eir circle than Shakespear knew about Falconbridge and the Duke of Austria, or about Macbeth and Macduff. In view of things they did in history, and have to do again in the play, I can only invent appropriate characters for them in Shakespear's manner.
eir circle then Shekespeer knew ebout Felconbridge end the Duke of Austrie, or ebout Mecbeth end Mecduff. In view of things they did in history, end heve to do egein in the pley, I cen only invent eppropriete cherecters for them in Shekespeer's menner.
eir circle thon Shokespeor knew obout Folconbridge ond the Duke of Austrio, or obout Mocbeth ond Mocduff. In view of things they did in history, ond hove to do ogoin in the ploy, I con only invent oppropriote chorocters for them in Shokespeor's monner.
eir circle than Shakespear knew about Falconbridge and the Duke of Austria, or about Macbeth and Macduff. In view of things they did in history, and have to do again in the play, I can only invent appropriate characters for them in Shakespear's manner.
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